For today's video we go over a little exercise to work that pinky finger and also show you how to move a major scale pattern across the fretboard. Thanks for stopping by, subscribe to stay inspired!
A song from one of my favorite artists, Tommy Emmanuel's "The Mystery". Thanks to Corey Fujimoto for absolutely slaying it with his arrangement and thanks to all of you for watching!
Today we talk about how to do a right handed mute or "chuck" to add a little percussive flair to your strumming.
Today's sessions is a cover of one of my favorite songs by Deathcab for Cutie. I also worked a little chord/melody and some newer right hand percussive stuff that I've been trying to work into my playing. Thanks for stopping by and subscribe to stay inspired!
In this edition of Insight we talk about how notes move chromatically up the fretboard. The chromatic scale is made up of all 12 notes that we can play. They are ordered from A to G with a note in between each letter or “natural" note. That in-between note we can call either the preceding note # or the following note b. The # symbol tells to move an interval of 1/2 step, or one fret, up from whatever note it follows. The b symbol does the opposite by moving down 1/2 step or 1 fret. The two places where this differs is between the notes B and C and the notes E and F. Here the distance between these notes is only a 1/2 step with no sharp or flat. So our chromatic scale is as follows:
A A#/Bb B C C#/Db D D#/Eb E F F#/Gb G G#/Ab A
And the whole pattern repeats again at starting at A. We can familiarize ourselves with where certain notes are on the ukulele, or what I call fretboard geography, with this exercise. Play all the open notes and say each one aloud to yourself. We want to view these open strings as being our 0 fret. With a finger for each fret play each from 0 to 4 then back again. You can use this to warm up or practice your dexterity but at least once go very slowly and say the notes you are playing aloud to yourself. Give it a try and remember each of those in between notes has two names so the next time you do the exercise use its other name.
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Today we talk about a right hand technique I call the flick. A quick triplet that can be a strong lead in to the downbeat of the next measure. Check out Insight 2 for a little more about how rhythm functions on the ukulele.
For today's sessions I'm doing a rendition of Kimo Hussey's arrangement of Killing Me Softly. Check out the upcoming workshop/concert with Kimo Hussey and Zanuck Lindsey at: https://www.facebook.com/events/1028991630463703/http://ukuleleinspired.com/2015/04/29/an-evening-w-kimo-hussey-zanuck-lindsey/ And you can buy tickets here: https://squareup.com/market/ukulele-inspired
In this edition of Insight we talk about the 3 most important types of chords we need to learn and how they differ. The first chord that most of learn is the C chord. This is the easiest open Major chord to play because we only need to fret one of the strings. Open chords refer to chords that have open strings in them, like the C chord which has 3 open strings. So how does this chord sound to you? So many times when we are learning music we forget that listening is one of the most important skill that we need to develop! So take some time and play some major chords that you know and see if you can hear how they all sound or feel major. Use some words to describe the sound or feeling. It might be easier if you have something to contrast it like an am chord. Like C, am is the easiest open minor chord with only one string fretted. Now try playing some minor chords you know and really listen to them and try and describe how they sound and feel. Also pay attention to how they differ from major chords. If I had to choose one word to describe each it would be happy for major and sad for minor. The third chord we need to know is 7 chords. Play a G7 and try and describe the feel of this chord. Do you notice a certain tension in the sound? 7 chords are what are called tendency chords because they tend to want to move to other chords in order to resolve that tension. Try playing G7 a number of times then moving to the C. Can you you hear and feel that resolution?
Remember these 3 types of chords are the most important, as a matter of fact if you can play all of them then you can play ANY song so try adding some Major, minor, and 7 chords to your left hand arsenal.
Want to learn to play the uke in a small group setting? Check out our 4-week beginners series focusing on the basics of playing the ukulele. The class size will be 6-8 people so go to https://squareup.com/market/ukulele-inspired to purchase and receive location details!
When: August 5th, 12th, 19th and 26th from 8-9PM
Where: Ukulele Inspired Studios Oakland, CA
Why: Cause it's gonna be fun!
How much: $100 until 7/29
Today we discuss a little right hand technique on how to play triplets. Check out our Insight #2 about rhythm where we talk about how to subdivide beats within a measure in order to give us more ability to vary our strum patterns. We can create quarter notes, 1/8th notes, and 1/16th notes but we can also subdivide the beats into three different parts or into triplets to give a completely different feel to our rhythm.
For this technique we are going to involve both our index finger and our thumb. Play the first beat or “downbeat" with a down strum with the index finger, follow that with a downstrum with the thumb, and lastly an upstrum with the index finger. Which takes you to the next beat in the measure and you repeat. Start slow and increase the speed as you become more comfortable with the technique. You can include triplets into the exercise we described in Insight #2. Try changing between 1/4, 1/8th, and 1/16th and triplets while keeping the tempo constant. Check out Insight #6 video to see how we move our upbeats to create a different feel to our strumming. These triplets fit really well when we are playing with this “swing” feel because we are actually shifting our upbeats into the last part of that triplet sequence! So give it a try, play some swinging 1/8ths or some strums built from them and see if you can add this triplet technique for some variation :)
Today's session video is an original piece called "Sentiment" from the album Moment. Thanks to the boys at Ukulele Underground for the schwag. http://ukuleleunderground.com/ Also thanks to Craig Chee and Sarah Maisel for their set of custom strings you can find them here: http://www.cheemaisel.com/store/ghs-signature-string-sets Get your copy of Moment at: Itunes: https://itunes.apple.com/us/album/moment/id901209059 Bandcamp: http://ukuleleinspired.bandcamp.com/ CD Baby: http://www.cdbaby.com/cd/johnnash1 Soundcloud: https://soundcloud.com/ukulele-inspired
Come and join us for an evening with world renowned ukulele artist and educator Kimo Hussey. Kimo is joined by accomplished musician, composer, and teacher Zanuck Lindsey to share their knowledge of music and ukulele with all of us. A small intimate house concert is to follow featuring Kimo and Zanuck along with bay area ukulele artist John Nash. Spaces are limited and will sell out, so purchase now to reserve your spot and receive location details. The Facebook event is HERE and be sure to check out the video below for some inspiration :)
In today's Insight video we discuss a little right hand technique and how you can swing where you place your upbeats to create a slightly different feel to your strum patterns. In our Insight 2 video we discussed how we create rhythm on the ukulele by playing a set pattern of strums against a constant beat or pulse that's happening in the music we play. I like to think about building strum patterns as a subtractive process where we start with a foundation of alternating down and up strums and take certain parts away to create a pattern. Remember that our hand should be continuing to move in a constant down and up motion to keep us in tempo and we just decide when we play the strings. So what happens when we alter that foundation slightly by moving where we place our upbeats? We get what we call "swung" or "shuffled" 1/8ths.
STRAIGHT 1 + 2 + 3 + 4 +
SWING 1 +2 +3 +4 +
So the downbeats occur in the same place but the upbeats get shifted to be closer to the next down beat which can create that "swing" feel to our rhythm. Now we can remove certain parts from both these foundations to create patterns and they will technically be the same but have a different feel because of where we place the upbeats. Give it a try, take some strum patterns that you already know and try swinging those 1/8th's to give you little bit different sound and feel. Thanks for watching! Thanks again for all of the support and be sure to check us out on social media, like and subscribe to keep up with everything new at Ukulele Inspired.
Latest single from the album "Moment", get your copy at: Itunes: https://itunes.apple.com/us/album/moment/id901209059 Bandcamp: http://ukuleleinspired.bandcamp.com/ CD Baby: http://www.cdbaby.com/cd/johnnash1 Soundcloud: https://soundcloud.com/ukulele-inspired
Thanks again for all of the support and be sure to check us out on social media, like and subscribe to keep up with everything new at Ukulele Inspired.
In today's Insight we are discussing some left hand techniques that can help you to move from one chord to another more easily. Usually when we learn a new song there are certain chords that we feel comfortable with and can move in between smoothly. If there are some new chords added that we have some trouble with try and remember to slow down your playing. This will allow for ample time to move between the chords while still remaining in tempo. Another thing we can do to is to imagine a visual map of the chord with it's shape and position on the fretboard to help aid our hands in learning. One example is an em chord:
I like to think of this chord as looking like stairs moving from the bottom and going up one fret and one string each time. Once I have the shape mapped out you can choose a pivot point on the chord, like the second fret on the A string. We can then move our pointer finger to that point first then build the stair shape from there. This can sometimes be easier than trying to find where all your fingers need to land in that chord.
Lets take the chord G as another example. This is usually one of the first challenging transitions that we find when learning ukulele. We can map this chord as being a triangle shape with the point of the triangle pointing towards the bridge or to our right hand. The pivot point that I like to use for transitioning is again the second fret on the A string. If we can move our middle finger to this point and build the triangle around it can often be easier than trying to move all three fingers into the shape at one time. Remember when when we are learning new things we always want to simplify to give us the best chance at succeeding.
Give it a try! Find some more difficult chords and trying mapping out the shapes with a pivot point that you can move to quickly and build the chord around it. Thanks again for all of the support and be sure to like and subscribe to keep up with everything new at Ukulele Inspired.
Shot on location at Hanalei Bay on the north shore of Kauai.
Big mahalo to all those that took the time to share a little bit of their knowledge and passion for ukulele during my time in Hawaii. Thanks to Kimo Hussey. Thanks to Joe Souza at Kanile'a 'Ukulele. Andrew Kitakis and Corey Fujimoto, at Hawaii Music Supply. And Aldrine Guerrero, Aaron Nakamura, Ryan Esaki and Kahai at Ukulele Underground.
Today I want to discuss melody and give you a quick way of finding notes within a Major Scale. In our first video we defined melody as being a series of individual notes that are grouped together to form phrases. The notes that we use to form melodies are chosen from a group of 7 specific notes that belong to the key of whatever song we are playing. Let’s use the the song Brown Eyed Girl that we used last week to examine melody. That first vocal melody is a certain combination of notes from the key of the song, the key of C Major. If we assign each note in the Major scale with a number than the melody looks something like this:
5 4 3 4 5 3 2 1 2 3
Every vocal line in the song uses some combination of the 7 notes from the key to form different phrases that make up the melody throughout the song. As a matter of fact, everything that happens within that song, chords and melodies, is made from different combinations of those 7 different notes. We refer to this set of notes as a scale and practicing our scales is really important for knowing where these notes are found on our fretboard. As we move through the scale each note has a specific distance, or interval, between them. This pattern of intervals is the formula that we use to create a Major scale. Let’s think of these of these intervals in terms of whole steps and half steps and on the ukulele one 1/2 step is equal to 1 fret. Now the distances are as follows:
w w h w w w h
We show each note in the scale with a number so our formula looks like this:
1 2 3 4 5 6 7 1 w w h w w w h
Let’s learn a quick hand shape that we can use to find a M scale starting from any note on the fretboard. Start with your pointer finger on any note than make the whole step to your middle finger, whole step to your ring finger, then a half-step to your pinkie. Now we slide the pointer finger a whole step above our pinkie than repeat the whole pattern. Easy right? Now you can move this pattern to any position on the fretboard and what you will end up with is a Major scale of whatever note we started with.